Favorite Songs of March and April

Martin Denny, "Quiet Village"

Don't really know Martin Denny yet. Apparently some classic 50s tropical-loving American composer/musician. This video is brilliant. Love the animal sounds, and the stoic faces of the musicians.



A little more info from Wikipedia and The Exotic Sounds of Martin Denny page.

Beyond the Golden Age of Latin American Cumbia

Depends on how you look at it, but many of these songs could easily be seen as being bad.

Still...
1. I love the first one
2. The second one is bizarre (a song about an El Salvadorean dish)
3. The third one looks like it takes place at a Peruvian high school dance for adults
4. The fourth one has no redeeming qualities besides the singer's hair
5. In the fifth one you see the girl from behind way more than you do her face
6. Watch for the audience's enthusiasm in the sixth one
7. I got a little carried away. This is the third video in this post from Los Ronisch, the Bolivian cumbia superstars.

1. Adrian y los Dados Negros, "Tarjetita de Invitacion" Argentina


2. La Chanchona de Tito Mira, "El Chuco" El Salvador


3. Agua Marina, "Viviré Para Amarte" Peru


4. Rafaga, "Mentirosa" Argentina


5. Los Ronisch, "Amigo Traiga Cerveza" Bolivia


6. Los Ronisch, "Prefiero Estar Lejos"


7. Los Ronisch, "Soledad Disco"

Argentinean Murga!

I don't know much about murga yet, but I am intrigued. It first began when I heard this song, "Cumbia Murguera," by Chancha Via Circuito, the Argentinean musician:



The sound reminded me of something, but I couldn't say what. Then I was reading an article/interview with him (I forgot where and I can't find it now) where he mentioned that having played the drums in the murgas of his hometown as a child was formative in his musical development.

According to Wikipedia, murga is a form of popular theater. But it seems the Argentinean style - which differs from the Uruguayan style (murga originated in Uruguay) - features less vocals. There is a lot of percussion, and a lot of dancing.

Watch this 10 minute montage of Murga Porteña (Buenos Aires-style Murga) - carnivalesque marching band, Argentine-style.



And this low-budget street murga. Watch the way they kick, and the little kid, and they way they rock the little cymbals atop their great drums - especially at the end.

PLAYDOE - POP LIKE THIS

I rarely see things like this that blow me away. Or maybe it happens a lot? But this is crazy. Right? South African PLAYDOE. Found thanks to DJ/Rupture's listings in Mondomix.

And this I like, too. Ghislain Poirier [watch in HD at YouTube!]

TOKIO TROPICAL presents ELEC(TRO)PICAL ＊ Tokyo Cumbia Party 3/29

TOKIO TROPICAL presents ELEC(TRO)PICAL
Sun. March 29th
7 PM till last train
Shibuya, bar Q
Dogenzaka 2-25-14 B1 (around the corner from the McDonalds right down the hill from Don Quixote)

東京トロピカル presents エレクトロピカル
3月29日（日）
19時〜終電まで
渋谷、バー・キュー
道玄坂2-25-14 B1

Classic Cumbia and Cumbia Digital from Colombia, Peru, Argentina & more
Check out Rezar's Mini-Guide to Cumbia and LISTEN to classic cumbia, cumbia digital & more

アルゼンチン、ペルー、コロンビアから、クラシックやデジタルクンビア
より詳しくクンビアとは何か知りたい方はこちらへ(試聴できる）

CLASSIC CUMBIA La Sonora Dinamita, "Ritmo de Tambor" [Colombia]



CUMBIA DIGITAL El Remolón, "Alza la Manos" [Argentina]

ZZK Records in Tokyo

ZZK Records from Argentina had a rare weekend of Tokyo parties last weekend, with mini-events for cumbia lovers in Tokyo's Shimo-kitazawa and Koenji neighborhoods.

The occasion? ZZK's art coordinator, Anna Brown, was on a long vacation spanning the globe. And they rightly decided that it would be a good idea to send her some music to share with the surprisingly enthusiastic cumbia-loving communities of Tokyo and China.

I made it out to this past Saturday's event at a small bar called Grassroots in Koenji. The place is tiny, but it was packed, and the sound system is respectable. As soon as I walked in a little before 1 am, I saw the only other non-Japanese in the room, and rightly guessed she was Anna from ZZK. The room had a lively energy, and people were excited to hear ZZK's fresh new sounds!

"Annita Cumbia Selectah" went on soon after, and as soon as the sounds of accordions and thumping cumbia percussion left the speakers, the place went up in dance. She spun a long set including ZZK tracks I had never heard, interspersed with crowd favorites. Despite her non-DJ-ness, it was an amazing set, and people were thrilled. I got to keep a couple of the CDs they sent her with (two tracks below!)

After her set, Moodman spun really good hip hop, which eventually phased into reggae. Around 6 am, after a bowl of ramen, they asked her to spin again. She was like, Cool, but I'll probably be playing a lot of the same songs again. But since nobody had heard them for a few hours, it was fresh all over again! I sat in the back of the small room next to a guy that had passed out. The sun was beginning to come up but it barely leaked into the dark 2nd floor space. The speakers behind me shook with the bass. The place was still full. I was half-asleep, half-daydreaming, imagining some combination of Argentina and outer space.

I had no idea cumbia (and perhaps cumbia digital especially) sounded so good loud! As my first time enjoying the music at a club (or club-like space), it was eye-opening. And since I met a few cumbia-loving Japanese people, upcoming parties are in the works.

These two songs blew minds.

Dead Menems "Taliban del Amor" (El Remolón remix)



I don't know who this is yet!:



Check out the free mixtapes at ZZK's homepage.